與波士頓的樂手Karim Nagi 的合作
來自於 3年多前的一個契機,
那時我己開始排練蘊釀3年多的作品" 對境 " ,
我們經歷了許多共同創作的溝通 ,
也在暴風雪的日子裡,
在他波士頓的個人工作室裡
完成他創作部份的錄音 ,
並帶回台灣
交由草兒做音效後製的混音及設計,
在0.9439的倍里珠這本書裡微電影的音樂 ,
我使用不插電版本,
希望能先使觀眾感受,
當初我與Karim 共同創作的純粹.
在鏡頭前
也以角色裡的某個純然心緒來做出發.
這些原音在經由草兒編排之後的後製音效 ,
以及舞台編排版本,
我希望將它留待現場演出時,
讓你們能親身體會那震撼的氛圍
It is a beautiful jounary
creation some pice with Karim Nagi !
I was in rehearsal agenda with my new project " Duì Jìng "
when I meat him 3 years ago ,
" Duì jìng " was preaped almost 4 years .
We been trough many discussions during he compose for this project ,
then we recorded at his studio at blizzard season in Boston ,
then I bring it back to Taiwan to Agnes for Sonic design .
I choice unplugged version
and emotions point from carter
filming for 0.9439 Baily's beads witch my newest book ,
may audience can feeling
the pure on what we created .
The Stage formate
and amazing Sonic design from Agnes ,
I would like share with you all in theater ! !